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Rather than trying to outrun those years, as he did in the '80s and '90s, he is now mining them in a resolutely bizarre way that scoffs at greatest-hits tours, nostalgia, and brainless regurgitation.His new off-Broadway musical is called , and it turns Bowie’s penchant for avatars into an intriguing shell game: The disjointed production features actor Michael C.David Bowie has died many deaths yet he is still with us.He is popular music’s ultimate Lazarus: Just as that Biblical figure was beckoned by Jesus to emerge from his tomb after four days of nothingness, Bowie has put many of his selves to rest over the last half-century, only to rise again with a different guise.You have exceeded the time limit and your reservation has been released.The purpose of this time limit is to ensure that registration is available to as many people as possible.

This tortured immortality is no gimmick: Bowie will live on long after the man has died.Basically I'm doing a story inspired by The Lady and the Tramp for my series where I twist up some Disney stories (don't worry, all credits will go to Disney) and I'm stumped on a title.Here's the description: Madeline Montgomery is a simple, classy, pristine, and righteous girl brought up by Charlene and Darrel Montgomery, one of the richest business people in Boston, Massachusetts.Hall doing his best impression of Bowie’s corrupted, drunk, and immortal alien from the 1976 art film .Trapped in a set that mimics a Manhattan penthouse, Hall presses himself up to his high skyscraper windows as he sings a new Bowie song also called "Lazarus." "This way or no way, you know, I’ll be free," he sings, smudging his hands against the glass.This is astounding to watch, but it's more treacherous to live through; following Lazarus’ return, priests plotted to kill him, fearing the power of his story.